I am perplexed.
The 700’s are not so common but from time to time I come across one. The ones in my own collection were pretty much okay and did not need to be taken fully apart. Removing the base is not such an issue but keep in mind that you normally damage or destroy the dried out gasket with it.
But recently I got another White 700 that was in a terrible shape. So I took a first ride in the dark to take a 700 fully apart. Meaning including the earpiece…
With the information from the ericofon.com site I started to pry up the left upper corner and shifted the earpiece slowly to the left. Quite an interesting and nearly impossible move… But I managed.
It seems that this chassis is, by coincidence, quite exceptional. Normally the chassis of the 700 connects in the neck of the shell to the speakerunit (including a ringer) either with a flatcable or a fixed connector. In this Ericofon this is not the case.
Typical is the speaker connection to the chassis by 2 wires only. The phone works fine but there is no ringer. This setup I haven’t seen before. Someone any clue on the origin?
Today I was able to purchase a new Ericofon since long. Actually it is the first in 2019 that I can add to my collection. Was about time.
Here’s the sneak preview as the phone is still on its way in its own suitcase 😉 Can’t wait to receive it…
This week the boy arrived and I am very happy with the new Ericofon. You might already have come accross this variance of Ericofons: a leather encased type. The origin of leather Ericofons is not really known although there are some speculations. It seems that they are seen in 3 colors: brown, green and red. All leather Ericofons have the same unique dial face. This model has a chassis that dates back to 1973 and the shell is Swedish, from 1975.
On the Dutch Wikipedia there is a nice picture of a very large Ericofon. The picture was taken on April 5th 1964 on the T-Bana (Swedish metro/subway) station of Telefonplan, Stockholm at its opening.
Telefonplan is a square in Stockholm where a factory and the headquaters of Ericsson was located at that time.
Obviously the Ericofon was important enough in 1964 to be shown so large and out in the cold.
It is already 5 years ago that I started this blog. The idea was to tell something on what I would come across in Ericofon-land, while taking my own collection a step further than where it was at that moment. Not at all knowing what would follow and if there was something to share at all.
In retrospective, it has been a pretty nice journey so far. At least for me… I really enjoyed it. Sorting out things, making some pictures, thinking about the next subject… I hope that you as a reader did not yawn too much as I am aware that this is a very specific subject. But no worries if you do indeed appreciate it, I have a social life as well and many other interests. One of them should be quite obvious from the site if you dig around.
As long as I can I will still share information with you, my dear reader 😉 Once a month is more or less okay for me. If you have any feedback, ideas, questions, information, pictures or any other contribution from your side, that would be more than welcome. I would also be willing to buy Ericofons from you if you are fed up with them…
A few weeks ago I received unique pictures of the Ericofon, showing the heart of the phone.
Copyright: Thomas Becker, Hochschule der Künste Bern (HKB), Konservierung und Restaurierung (KuR), Switzerland
Thank you Thomas!!
If you look at the right picture above and the last picture in the Sewn Open post, you can see that the bar is obviously a ‘standard’ that occurs more often in flat earpieces. But still no clue why…
Well, this is quite something!!
On Twitter I found this interesting experiment that someone has done in the Coda Apeldoorn. In the cultural center in Apeldoorn, Netherlands, there is this so called FabLab, where you can experiment with technology. Obviously last summer someone created a new rubber gasket for an Ericofon with a 3D printer. Cool!!
The gasket was printed in 3D with the use of PLA (PolyLactic Acid). This is not actually a plastic as you would suspect but a substance made of wheat, corn and sugarbeets. It is much more sustainable than ABS (Acrylonitrile Butadiene Styrene) which is actually made out of oil. A very nice experiment!
What’s happening around October each year? See the previous Equinox posts to explain this question.
If so, it can replace my repaired model as this one seems to be in better shape.
If not, it is a pity but I had to take the chance. It was advertised as an avocado colour… Sometimes there is just no time to think too long and you have to decide in a minute to buy or not.
As said before, getting the right colour impression from a screen is not always easy. Let’s hope for the best.
Unfortunately this is a regular Crystal Mint… 🙁 Well, regular… it was heavily yellowed and therefor avocado color. So again, buying from online pictures only remains a risk.
In the company where I work we have an art game ongoing at the moment. The theme is Diversity and Inclusion, related to the professional working environment of course. Employees are asked to make art around that theme.
As we have many employees from different backgrounds, in all sorts of ways, this is a very important topic to us within the company. Differences, and the embracement of the awareness of it, make us strong.
Inspired by this game, but not yet knowing if I will participate, I took my camera and started to make some pictures today. A few of them I can already share with you here.
My personal experience is that diversity in teams with colleagues and customers makes everything well balanced. For me this is not only about roots, gender or age, but much broader than that.
We are all different and yet so much the same.
James John Walrod unfortunately passed away on September 25th, 2017 at the age of 57. Way too young!!
He was called a design guru. Actually if you read the Wikipedia description it says: “A self-taught interior design consultant and collector of rare and unusual art, design and pop culture works, Walrod was also considered an expert in the field of mid century and Postmodern design.” Please take some time to read about this personality.
Part of his collection was auctioned earlier this year in 2018. When I browsed the auction catalogue many very nice and beautiful items passed by. Man, this guy had good taste, no doubt about that!!
I was triggered because there was one item that caught my attention in this auction. A Wedgwood Touch Tone Ericofon. Still lacking in my collection and quite hard to get…
So I decided to take part in the auction. As usual, auctions are kind of exciting when they start. That night most sales prices raised to exorbitant heights before it was the Ericofons turn. As I am not a design expert these prices might be around normal market value, I had no clue. But I was getting nervous and already disappointed, afraid that this Ericofon also would be sold for an unreasonable price, just because of the name of the owner…
Luckily it turned out differently and I was able to get this item for a fair price. A bit on the expensive side, but hey, …a once in a lifetime opportunity.
Very proud that this is now part of my collection.
Copyright of these 2 beautiful pictures is at Wright.